Category: Writing

Amazon and the Incredible Disruption of The Publishing Industry

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Have you been tracking the insane degree to which Amazon.com is utterly disrupting the traditional publishing industry? Have you been paying attention to how incredibly the business models and the players are changing?

As an author of multiple books who has been published through the traditional publishing industry (ex. O'Reilly, Syngress, Sybex, QUE) and who still has a zillion book ideas in my head, I've obviously been paying close attention. For those of us who write, it's an incredible time of opportunity... and choices.

The 800-Pound Gorilla

Amazon.com is at the heart of the disruption and the opportunity. I first started watching Amazon closely about 5 years ago or so when I learned of CreateSpace, Amazon's "do-it-yourself" publishing site where basically anyone can upload a PDF, choose a cover (or create your own) and... publish your book into Amazon.com! The cool thing is that your book shows up in Amazon listings just like those from the traditional publishers.

  1. Write your book.
  2. Export to PDF.
  3. Upload to CreateSpace.
  4. Start Selling!

Boom!

That's the sound of the traditional publishing industry business model going up in smoke...

In the years since, CreateSpace has of course expanded into ebooks and Amazon's rolled out many other services helping authors get their content out.

Now, of course, to do it on your own is not quite that simple. Traditional publishers provide some key assistance to authors:

  1. Editing - a critical piece of writing a book
  2. Design - of the cover, the book, graphics, the typefaces, etc.
  3. Marketing - promoting the book across many different channels, advertising, etc.
  4. Distribution - getting the book out to where people will buy it

Editing, design and marketing are all areas where you can find people to help you... and the distribution is the whole point of what Amazon.com, Smashwords, Lulu and a zillion other sites will now help you with. Sure, the traditional publishers can help you with distribution out to brick-and-mortar bookstores... but how are those doing these days? (The sad subject of another blog post at some point.) For some authors those bookstores may be a market... and for them the traditional publishers may be necessary. For other authors starting out - or writing for more niche audiences, the "indie publishing" route may work better.

Amazon's Latest Move

This month brings news that Amazon is signing authors to its own publishing imprint and there are two great articles out analyzing what this means:

Mathew Ingram's GigaOm piece, in particular, is useful for all the links he includes to other articles and information. The NY Times piece also had this great quote from Amazon executive Russell Grandinetti:

“The only really necessary people in the publishing process now are the writer and reader,” he said. “Everyone who stands between those two has both risk and opportunity."

The time has never been better for authors to be able to get their content published. We've had this world of "blogging" now for over a decade which has let anyone publish their thoughts online... and services from Amazon and the others have let you get into "print-on-demand" so easily.

And ebooks! Look at how the way people consume books have changed just in the last few years....

But of course there is an entire industry that was used to being the gatekeepers of that content: publishers, agents, bookstores...

Some Traditional Publishers Get It

I should note that some publishers certainly "get it", have seen the disruption and are doing what they can to both survive and thrive in this new world. The primary reason why I signed with O'Reilly for my latest book, Migrating Applications to IPv6, was because the entire idea behind the the book was for it to be an "ebook" that could be constantly updated as we as an industry learn more about IPv6 application migration.[1] O'Reilly has long been paying attention... they brought out Safari Books Online many years ago... they have their excellent Radar blog/site that indeed includes ongoing commentary about the disruption in the industry... and they sponsor the annual excellent Tools of Change for Publishing conference. I wrote earlier about how O'Reilly makes it so easy to get ebooks onto your mobile devices.

O'Reilly is a stellar example of publishers who see the changes and are looking at how to be part of that wave. There are others, too. The smart ones are evolving.

Some Traditional Publishers Don't

Others aren't. As both the GigaOm and NYT piece mention, some of the traditional publishers are instead fighting tooth and nail to hang on to some relevance.

I loved Mathew's ending paragraph:

Here’s a hint for book publishers: take a lesson from the music industry, and don’t spend all your time suing people for misusing what you believe is your content — think instead about why they are doing this, and what it says about how your business is changing, and then try to adapt to that. Amazon is giving authors what they want, and as long as it continues to do so, you will be at a disadvantage. Wake up and smell the disruption.

Wake up and smell the disruption, indeed!

If you are an author, have you been following what Amazon is doing? Have you self-published any work? Or are you considering it?

Image credit: babblingdweeb on Flickr

[1] To be entirely clear, another HUGE reason for signing with O'Reilly was because of the marketing they could do on my behalf to their existing channel of techies, early adopters, etc.


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Do You Hook Your Reader From Your Opening Sentence?

Question Mark
Do you reach out and grab your reader by the throat from the very first line of your text? Do you evoke some mystery or emotion in your first sentences that makes the reader NEED to learn more? Do you make them ask "WHY?" or "HUH?"

Three Examples of Powerful Openings

Recently in talking about this topic with someone I randomly grabbed three popular novels that I had nearby and to no surprise all three of them had powerful openings. Consider these examples:


Foreign Influence by Brad Thor[1]

Inner Mongolia

The strategic military outpost was such a closely guarded secret it didn't even have a name, only a number - site 243.

It sat in a rugged windswept valley far away from cities and centers of industry. Its architecture was minimalist; a cross between a high-end refugee camp and a low-rent university. Tents, trailers and a handful of cheap concrete buildings made up its "campus." The only outward signs of modernity were the Pizza Hut, Burger King and Subway mobile restaurant trailers which made up the outpost's "food court."

It was just after three a.m. when the attack began. Lightweight Predator...


Right away the use of "Inner Mongolia" means to most of us that it is somewhere very far away and remote. The first sentence immediately makes you wonder "what is so secret?" Who operates this base? What kind of "strategic military outpost" is it? The second paragraph is just a bit of description but then the third sentence drops you right into a conflict. Who is attacking it? Why?


Angels & Demons by Dan Brown[1]

Physicist Leonardo Vetra smelled burning flesh, and he knew it was his own. He stared up in terror at the dark figure looming over him. "What do you want?"

"La chive," the raspy voice replied. "The password."

"But... I don't --"

The intruder pressed down again, grinding the white hot object deeper into Vetra's chew. There was the hiss of broiling flesh.


That very first sentence immediately causes you to want to know "WHY?" Why is his flesh burning? Who is doing this? Who is this physicist? What is the password for? Who is the intruder? Why is flesh burning? Plus you have the evocative emotion of flesh burning, something against which we can all recoil in horror.


A Storm of Swords by George R.R. Martin[1]

The day was grey and bitter cold, and the dogs would not take the scent.

The black bitch had taken one sniff at the bear tracks, backed off, and skulked back to the pack with her tail between her legs. The dogs huddled together miserably on the riverbank as the wind snapped at them. Chett felt it, too, biting through his layers of black wool and boiled leather. It was too bloody cold for man or beast, but here they were. His mouth twisted...


The dogs would not take the scent... of what? Why are the dogs acting this way? What is causing this behavior? And for those who have been reading this series of books (this is book 3 of 5), who is this "Chett" character? And why are he and they out in this cold?


Does Your Text Do This?

All three of these openings pull the reader in. From the very first lines you NEED to know more. You want to continue. You are hooked from the start.

Does your text do this?

Whether you are writing a news article, a book, a blog post, a novel, a short story... or whatever... do you hook your audience from the start?

If not, how can you change your piece so that you do hook them? Can you write a more powerful opening? Can you set up some mystery? Can you evoke some emotion?

How can you leave them wanting... indeed NEEDING... to read more?


Image credit: Boris SV on Flickr

FTC Disclosure: These links to the books include my Amazon Associates ID and as a result if you actually were to purchase one of these books I might earn a few pennies. If you think this has anything whatsoever to do with me mentioning these books, I can assure you it doesn't.


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One Simple Reason O’Reilly ROCKS as an Ebook Publisher

Like many technical folks, I've long been a fan of O'Reilly books, having purchased my first "animal" book sometime back in the late 1980's, but as we collectively make the transition to the world of ebooks, I've discovered one simple reason O'Reilly truly rocks as a publisher:

http://oreilly.com/e/

That's it! Enter that one little URL into the browser on your tablet, mobile phone or e-reader and after you login... ta da... there are all the O'Reilly ebooks you have purchased! No need to sync to a program on your laptop or desktop ... just straight downloads to your device to open in whatever program you use - iBooks, Kindle, Stanza, whatever...

Here's how it looks on my iPad:

Oreillyebooks ipad

As you can see, books are available in whatever formats they were produced in... so you can grab ePub for iBooks or Stanza, Mobi for Kindle, or just a straight-up PDF for use in other apps. You aren't limited to one format, either, as you can download all of the formats if you want. O'Reilly has also taken the step to deliver their downloads DRM-free, so you can use them on any device.

Oreillyebooks iphoneThe image on the right shows the same screen on my iPhone. The URL will naturally work on a laptop or desktop, too, but the beauty of it is that the URL is so trivial to enter into a mobile device. About as small a URL as you can get.

The great thing about ebooks is, of course, that you always get the latest version of whatever the author has uploaded. And O'Reilly routinely alerts you via email whenever there are new updates for you to download.

That one simple URL makes it so easy to obtain whatever books you purchase and whatever updates there are.

In full disclosure, I now am an "O'Reilly author" with my latest book, "Migrating Applications to IPv6", but that is just recent (last month) and I started purchasing O'Reilly ebooks quite some time ago for my iPad.

The whole world of ebooks is undergoing an amazing amount of innovation right now... and it's great to see publishers like O'Reilly trying out new ideas to see what works. And in my mind, having an easy-to-access portal to all your ebooks at a super-simple URL is a great idea!

Thanks, O'Reilly, for making it so simple to get to your ebooks!


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